Feature Film Assistant Editor Immersion 1.0 By Master The Workflow

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Feature Film Assistant Editor Immersion 1.0 By Master The Workflow

Feature Film Assistant Editor Immersion 1.0 By Master The Workflow

LEARN THE PROFESSIONAL FEATURE FILM & TELEVISION EDITING WORKFLOW

Jumpstart your career in feature films and television for the major Hollywood studios, networks and streaming services.

The Feature Film Assistant Editor Immersion

Our curriculum applies to films & television of ALL budget sizes and teaches you — in detail — the professional editing workflow from start to finish and the assistant editor’s role in managing a cutting room from pre-production to final delivery. The online, video-based lessons can be completed at your own pace and are modeled from our years of experience making feature films & television for major studios, networks and streaming services.

3 REASONS YOU SHOULD START THIS COURSE TODAY

Streaming (SVOD) revenue in the United States from 2011 to 2020

01.GLOBAL DISTRIBUTION By 2024 ALL streaming services will be available worldwide.

02.REVENUE In 2020 streaming services won 2.1 billion dollars, 37% more than the previous year.

03.QUANTITY The competition is FIERCE! Warner Media, Disney, Apple and others all launched new streaming services. Film & TV production is at an ALL TIME HIGH!

What You’ll Learn Inside Feature Film Assistant Editor Immersion 1.0 By Master The Workflow:

01 – Pre-Production

-Terms, concepts and paperwork
-Initial meeting with your editor
-The pre-production and post pipeline meetings

02 – Setting Up

-Setting up the cutting room
-Peripheral software needs
-Setting up the project
-Avid project layout and bin organization
-Avid ISIS organization
and workspaces

03 – Digital Codebook

-Globals, continuity, wall cards & shoot progress reports
-The Core Codebook – Walkthrough
-The Core Codebook – Continued
-Lists & Logs – 1
-Lists & Logs – 2
-Reports
-VFX Database
-Petty Cash Tracker

04 – Principal Photography

-Lab Dailies
-Syncing Dailies Manually
-Dailies – Continued
-Using ScriptSync
-Dailies Paperwork

05 – Editorial

-Music & Sound FX Organization
-Visual Effects Prep & Tracking
-Editorial – Part 3
-Spotting Sessions
-Previews & Test
Screening
-Editing Room Diplomacy

06 – Finishing

-Visual Effects
-Picture Turnovers
-Change Lists &
Re-balancing
-Sound Turnovers
-DI Stage, Mix Stage,
Deliverables & Wrap-up

MEET YOUR INSTRUCTORS

Lawrence Jordan, ACE

Lawrence Jordan is an Emmy & ACE Eddie nominated feature film and television editor who has worked on over 50 feature films and television shows and is the co-creator of Master The Workflow. As one of the earliest adopters of digital, non-linear editing, he helped lay the groundwork for the modern editorial workflow. He recently completed the independent feature film Later Days.

Richard Sanchez

Richard Sanchez works as both a visual effects editor and an assistant editor. He’s assisted on the films Suicide Squad, Robin Hood and Naked, and on the television series Table 19, The Good Place and UFO Hunters. More recently he was the visual effects editor on Hulu’s Catch-22 and Bill & Ted Face The Music. He is currently working on a new series for Marvel Studios.

The Feature Film Assistant Editor Immersion course comes with valuable bonuses you won’t find ANYWHERE else!

THE DIGITAL CODEBOOK

The Digital Codebook is a comprehensive set of custom designed and connected FileMaker Pro databases, which Richard used on his last three films, including Catch-22 for Hulu, Bill & Ted Face The Music, and his current project, the series Sweet Tooth for Netflix.
Nearly two years in the making, The Digital Codebook tracks picture, sound, visual effects, script notes, continuities and every other facet of the editorial process. It even has a section that tracks petty cash.

Frequently Asked Questions:

1. Innovative Business Model:

• Embrace the reality of a genuine business! Our strategy involves orchestrating a group purchase, wherein we collectively distribute costs among members. Utilizing these pooled funds, we acquire in-demand courses from sales pages and make them accessible to individuals facing financial constraints. Despite potential reservations from the original authors, our customers value the affordability and accessibility we offer.

2. The Legal Landscape: Yes and No:

• The legality of our operations resides in a gray area. While we lack explicit approval from course authors for resale, a legal nuance comes into play. During the course acquisition, the author did not specify any restrictions on resale. This legal intricacy presents both an opportunity for us and a benefit for those seeking budget-friendly access.

3. Quality Assurance: Revealing the Real Deal:

• Delving into the core of the matter – quality. Procuring the course directly from the sales page ensures that all documents and materials are identical to those obtained through conventional means. However, our differentiator lies in going beyond individual study; we take an extra step by facilitating resale. It’s crucial to note that we are not the official course providers, which means certain premium services are not included in our package:
• No coaching calls or scheduled sessions with the author.
• No access to the author’s private Facebook group or web portal.
• No entry to the author’s exclusive membership forum.
• No direct email support from the author or their team.

We operate independently, aiming to bridge the affordability gap without the additional services offered by official course channels. We greatly appreciate your understanding of our unique approach.